This is my self made journalistic news story about a prototype technology.
NCT 2 minute video
The YouTube link is here: NCT video link
New Communication Technology s2843606
My name is Peter Chipperfield. I study at Griffith University. I am enrolled in a Bachelor of Arts and am in the New communication technology 1501Hum course. My tut time is 12-2pm on Thursday.
Thursday, 16 October 2014
Sunday, 28 September 2014
NCT Online Science Fiction Essay
Peter
Chipperfield
S2843606
New
Communications Technology
Online
Essay
Thursday
12-2pm
N06
0.19/0.24
Ben
Ebelebe
Choose a cyberpunk story or movie. Compare the economic and
social world it conjures with the real world today. How close is this imagined
world to our world and: Are we moving towards the imagined world or away from
it?
Whether accurate of
not, the basis for the - real or imagined - future is change. The elemental
factor of the past present and future is that change has occurred. Therefore
the accuracy of the predictions of the future is not so relevant as the fact
that change has or is going to occur. The themes of cyberpunk, science fiction,
and the film Blade Runner are explained
to provide detail on the subject. The film Blade
Runner (1982) that was directed by Ridley Scott, and adapted from science
fiction writer Phillip K Dick’s novel, Do
Androids dream of electric sheep? Telling a pessimistic and seemingly
unhopeful world in which humanity is less about emotion, and the phrase by Rene
Descartes, “I think, therefore I am” and more about the genetic makeup of human
beings. This film is both successful and unsuccessful in predicting the future
of the real world’s socio-economic world.
Cyberpunk is a category
that denotes a genre of science fiction (SF) set in a lawless subculture of an
oppressive society dominated by computer technology. Oppressive societies in
any future, real or imagined are most universally known as dystopias. Dystopias
are futures where every aspect of life is altered or radically different in a
degraded, totalitarian, or culturally significant manner. The society painted
in dystopian novels and films are grim and pessimistic and are without much hope
and highlight the negative features of government, culture, religion, and lives
of the individual. Contrasting with dystopias, is the utopia, a society that
functions in a manner aligned with ‘perfection’. The science fiction world that
Ridley Scott creates in Blade Runner
highlights the urbanised, de-humanised, chaotic, low socio-economic society
where the divide between rich and poor is wide and heavily embedded in the
culture. Where the richest and most powerful corporation employs a leading
genetic engineer who squats in an abandoned building. To compare unhopeful
imagery of the film with the society of today in the real world, it can be
argued that the – dehumanising effect of the internet, the constant attention
to televisions in lieu of physical social interaction, the ever widening gap
between the lower socio-economic and the “one presenters” wealthy upper class
elites and the war torn world in which we live is a dystopia with little hope. Genetic
research has advanced scientific knowledge of the genome, chromosomes and the
function and structure of DNA (deoxyribonucleic acid), predictions that foresaw
biology not yet fully understood. Science fiction is a genre that attempts to
explore the world of the future and the effect that new technologies might have
on a possible world.
Science fiction is the
work of an author’s imagination, and attempts to grasp a future that does not
exist yet. Sometimes, the authors and filmmakers open readers and audiences to
entirely new worlds and societies, making statements about future humanity. The
future is dynamic and highly unpredictable, of the many different accounts by
authors and filmmakers, they are likely to produce misguided conjecture that
fails to become true when the future becomes the present. Some science fiction
works have mused at flying cars, the implanting of internal technology,
interstellar or intergalactic space travel, the consumption of food in pill
form, time travel, and gene manipulation for eugenic purposes. The discovery of
alien or Martian species, the transition from fossil fuels to atomic or nuclear
energy, human cloning as well as the attainment of a utopia, often said highly
improbable to create and the subject of much philosophical debate. With regards
to the film Blade Runner, the
prediction that future societies would use clones for labour purposes failed to
come true. Religious and moral outrage has prevented humans from being cloned
or synthetic humans from being engineered. The socio-economic world of the
future is no where near and does not seem likely to transition in the direction
as portrayed in Ridley Scott’s film. The expense of creating synthetic life
would be costly in terms of research and manufacture, when it is cheaper to use
any of the seven billion people - and rising - in the world to toil, and fight
the wars of the powerful. The commonality of cloning, synthetic, and
genetically modified sentient beings is prediction of the future that is a
separation from the real world, the cost would just be too high and therefore
the clones would be highly valuable the corporations due to the investment
required to produce them. Although science fiction is not accurate in predicting
the future as imagined by the creators of them, does not mean that science
fiction is without merit and value, the expression of new ideas and statements
made about society and humanity despite changing circumstances is useful in
highlighting aspects
of society that are both virtuous, desirable and deleterious and unappealing.
The basis for apt
predictions of science fiction futures is an insightful author who genuinely
embeds themselves into the complexities of a chaotic new world. Detaching
themselves from the established lifestyle, social norms, and even transforming the
present day reality. In the case of the film, Blade Runner (1982) by director Ridley Scott, adapting Phillip K
Dick’s novel, Do Androids dream of
electric sheep? Sees a world where cloning and genetic engineering are not
only possible but fully utilised practice of the futuristic society painted in
these two fictions. Ridley Scott successfully creates a world in Blade Runner that shows the audience
scenes of grim, over-crowded, and bustling multi-cultural cityscapes. Constant
rain and bad weather indicate climate change, which were just being noticed in
the mid-seventies, the use of this relatively unknown concept and the expansion
of it into the film’s modern society demonstrates that science fiction filmmakers
saw the potential impacts. Detective Deckard (Harrison Ford) plays the main
protagonist in Blade Runner who hunts
and executes clones otherwise known as ‘replicants’ on earth. The creation of replicants
for space exploration, labour and war uses unpaid work that enhances the
society’s profit/production by these non-citizens. Being of superior design, a
short lifespan and a total ban of any clone from earth act as controlling
factors for these ‘super humans.’ The CEO of the genetic engineering
corporation, Dr Eldon Tyrell is the creator of the replicants and in the film
tells of the Tyrell Corporation motto, “More human than human.” The
socio-economic state of earth, in particular the metropolis that Detective
Deckard lives in is dark, wet, brooding, filled with poor and homeless peoples,
rubbish in the street, massive skyscrapers, alleys all made of or surrounded by
concrete. The discovery of genes and chromosomes were just beginning when
Phillip K Dick learnt and wrote about such concepts in his science fiction
works, by 1982 Ridley Scott was creating the physical world filled with the
people of the future – real or cloned – that widely accepted and utilised
cloning technology. Not only did this future society prefect cloning, something
not done until the latter part of the 20th century, but also the
society’s spread of the applications of cloning to every sector of life and the
basing of their financial structure on the use of these clones for work and
expendable super human operations across the galaxy. This quantum leap from the
inception of an idea to the full effects of the discovery on the futuristic
society demonstrates a clear attempt at highlighting potential futures, which
could exist. If the cloning aspect of Blade Runner is contrasted with computer
technology, it is clear to see that a complex calculation machine transformed
this real world to the industrialised and technological dependant global world
of today.
The future is hard to
predict and has the potential to go in many directions and change radically
from what it was in the past. Science fiction writers and filmmakers endeavour
to envisage a world that follows the progression of technology and anticipates
how that invention would transform the world of today into a world of the
imagined future. Some works of science fiction are very apt and seem to have
predicted the future with accurate clarity. Novels by Phillip K Dick, Do Androids dream of electric sheep?, The
Man in the High castle, A scanner darkly, and Minority Report. Ridley
Scott’s film, Blade Runner made in
1982, imagined a visually stunning world that made statements about humanity
and life of the future. Some aspects regarding socio-economic poverty and
inhumanity can be argued as being correct predictions of a future world, but
other aspects, such as a future society that allows and manufacture clones to
exist and work on an industrial scale on other planets was a literal
interpretation that fails to be accurate in the real world, now and in the
foreseeable future.
Bibliography:
Briggs, R. 2013, "The
future of prediction: speculating on William Gibson's
meta-science-fiction", TEXTUAL PRACTICE, vol. 27, no. 4, pp. 671-693.
When science fiction
become science fact, video, It’s okay to be smart, 19 February, viewed 19
September 2014, <http://www.youtube.com/watch?v=Ear4Prg9G8w>.
Hardesty, W.H. 1987,
"Mapping the Future: Extrapolation in Utopian/Dystopian and Science
Fiction", Utopian Studies, , no. 1, pp. 160-172.
With another bleakly
anticipatory view of a dystopian future, The Legacy 2012, The School Library
Association.
Gruenwald, O. 2013,
"The dystopian imagination: the challenge of techno--utopia", Journal
of Interdisciplinary Studies, vol. 25, no. 1-2, pp. 1.
Malewitz, R. 2011,
"William Gibson's Paternity Test", Configurations, vol. 19, no. 1,
pp. 25-48.
Vos Post, J. &
Kroeker, K.L. 2000, "Writing the future: computers in science
fiction", Computer, vol. 33, no. 1, pp. 29-37.
Squire, C. 1991,
"Science Fictions", Feminism & Psychology, vol. 1, no. 2, pp.
181-199.
Kreuiter, A. 2009, The
science of science fiction [Technological breakthroughs predicted in science
fiction.], Control Publications Pty Ltd, Hawksburn.
Ghiglione, L. 2010,
"Does science fiction-yes, science fiction-suggest futures for
news?", Daedalus, vol. 139, no. 2, pp. 138-150.
Bell, F., Fletcher, G.,
Greenhill, A., Griffiths, M. & McLean, R. 2013, "Science fiction
prototypes: Visionary technology narratives between futures", Futures,
vol. 50, pp. 15-24.
Thursday, 11 September 2014
Essay topic
I have decided to do the essay topic relating to the future predictions in cyberpunk films/novels and the socio-economic forecasts of science fiction writers.
Wednesday, 3 September 2014
Internet Censorship
I am strongly opposed to Internet Censorship and the previous government's policy of "clean feed"
as is the EFA. The Labor government had Stephen Conroy the communicaitons minister introduce a policy called “clean feed” whereby adults would be subject to mandatory filters on the internet ‘for the sake of the children’. It faced extreme technical issues and vast unpopularity and subsequently died in 2012. If the Internet is censored then with it goes free speech and appropriate representation, nothing positive can come out of a clean feed style policy.
Also, the Liberal government has also highlighted some Internet cencorship and data-mining policies recently, and Attorney-General George Brandis doesn't even have a computer at his desk!
Oh Brave new world that hath such people in it.
The relationship between Censorship and Democracy is that they are often conflicting ideals. One side allows the concealment or distortion of information that the democratic citizen attains. Whilst, the other is the participation of the citizen in the state affairs of the nation and crucial issues at the time. No nation should employ censorship, for it creates a misinformed society that will likely make worse decisions than if it were fully informed. Government, corporations and organisations censor information because they have interests that are opposed to the those of the citizens. As highlighted by Phillips and Harslof, corporate interests and government unpopularity contribute to societies - even democratic ones - censoring information.
as is the EFA. The Labor government had Stephen Conroy the communicaitons minister introduce a policy called “clean feed” whereby adults would be subject to mandatory filters on the internet ‘for the sake of the children’. It faced extreme technical issues and vast unpopularity and subsequently died in 2012. If the Internet is censored then with it goes free speech and appropriate representation, nothing positive can come out of a clean feed style policy.
Also, the Liberal government has also highlighted some Internet cencorship and data-mining policies recently, and Attorney-General George Brandis doesn't even have a computer at his desk!
Oh Brave new world that hath such people in it.
Electronic Frontiers Australia Inc.. 2012. EFA
welcomes the government's back down on mandatory internet . [ONLINE] Available
at: https://www.efa.org.au/2012/11/09/internet-filtering-backdown/.
[Accessed 04 September 14].
The relationship between Censorship and Democracy is that they are often conflicting ideals. One side allows the concealment or distortion of information that the democratic citizen attains. Whilst, the other is the participation of the citizen in the state affairs of the nation and crucial issues at the time. No nation should employ censorship, for it creates a misinformed society that will likely make worse decisions than if it were fully informed. Government, corporations and organisations censor information because they have interests that are opposed to the those of the citizens. As highlighted by Phillips and Harslof, corporate interests and government unpopularity contribute to societies - even democratic ones - censoring information.
Peter Phillips, Ivan
Harslof . 2014. Censorship Within Democratic Societies. [ONLINE] Available at: http://www.thirdworldtraveler.com/Media_control_propaganda/CensorinDemoSoc.html%20 [Accessed 04 September 14].
What are the benefits of the NBN? What potential form(s) will the NBN take when it is finally rolled out?
The
NBN is the National Broadband Network and is a national project to upgrade the
old fixed line phone and Internet network to fibre optic cables. The NBN represents modern internet with faster speeds and a larger capacity for users, this will enhance communication, connectivity, internet related activities, such as live-streaming, watching videos at worldwide download speeds (no more Youtube buffering) and the ability of multiple users to access the internet at once. The NBN is to be rolled out in a number of forms, such as the fibre to
the premises, fixed wireless or satellite services. It has also been introduced
that a 'direct to home' model and a 'to the node' model of optic fibre might be used.
Australian politics
The Federal representative for my electorate is Ms Terri Butler MP whilst the other person of
that electorate is Mr Ross Vasta MP.
Ian
Walker LNP is the state member for my electorate. I sent him a message about
rural children and the social services pronounced to assist them. I told him that
rural children needed support networks in the countryside very much.Posting to POTUS
I contacted US President Barak Obama about Internet freedom. I expect he will formulate an international policy quoting me at the UN.
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